Her body, himself Gender in the slasher film CAROL J. CLOVER [. . .] The Body On the face of it, the relation between the sexes in slasher films could hardly be clearer. The killer is with few exceptions recognizably human and distinctly male; his fury is unmistakably sexual in both roots and expression; his victims are mostly women, often.. Autumn of 2017 marks thirty years since the publication of Carol J. Clover's "Her Body, Himself: Gender in the Slasher Film." The most enduring premise of this essay—which was originally included in the special issue Misogyny, Misandry, and Misanthropy in the journal Representations and later re-published in an abridged version in Men, Women, and Chain Saws: Gender in the Modern Horror Film.
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Her Body, Himself: Gender in the Slasher Film Representations - United States doi 10.2307/2928507. Full Text Open PDF Abstract. Available in full text. Categories Arts Sociology Humanities Gender Studies Cultural Studies Political Science. Date. October 1, 1987. Authors Carol J. Clover. Publisher.. In the essay "Her Body, Himself: Gender and the Slasher Film" (originally published in 1987), which she would eventually expand into the larger study Men, Women and Chainsaws: Gender in Modern Horror Film (1993), Carol Clover clearly establishes many, quite specific criteria that the figure of the "Final Girl" possesses in the slasher genre.
